Rob Diebold

Art


She painted the smallest hands sounded so small painted my silence with rain gold to her sun while rendering me inside rigid and blue how appropriate how naked spiritectomy stripped me to a layer of crud sipping oleander tea dancing upon her pallet falling beneath her easel blood sugar crashing my soft pallet folded split (framed) red around my gash gaping (graphite) grinding charcoal eyes critical and hot threads of insanity poking through the fabric the homemade paper faded silver sense returning to the earth the worms she painted my rude red muscle dark squeezed more than lead from my chest my dying carnation



My Biology


My life on the head of a pin the color of burnt sugar an accumulation of cinnamon blowing through a yellow kitchen mother's laundry song humming lawnmower lawnmower green sounds all around all the green sounds becoming brown and all the fingers scarred by tools left burning in the dirt from the white sun The smell of mystery and nature ground down to a piece of pocket resin left turning in the haze of diesel vapour A world within a fleck of spittle my biology my water as thick as a warm spill of wax but small and grey beneath my nails to be removed on a warm stone evening with limes and water on the porch beneath some rare acetylene shower sky In a cool dark corner there is an antique bookshelf rubbed black with the oil of my hands and collected stains and bandages and images and broken red clay masks that gave us faces when we were ghosts I can't touch the photographs or look at them again



Chinese Painting


begin with orchid each leave must breathe with the feeling of the moment was the root slow? did the dragonfly light? broken leaves should emphasize dying on a windy day the beauty of white bamboo technique of plum five branches drawn three branch upward free form left slant naturally show me old tree bloom new branches deep at night late when I write with brush with iron band binding prints of flower grass poised



 
Clay Of The Earth


The weight of the earth pressing against the cargo the freight the soles of my feet my mass in a eucalyptus fog my cells dividing exploding into stars rare spirits expanding overcoming resistance kinetics urgent and warm glands open and close with motion changing and leaking chemicals to the brain recover me from sickness terror and misfortune shelter me in skin and sticks and heat and sweat I feel the growth the forming of flesh and new voids filled with fortified blood and hard thick strength rendered physical physical throes of acid in the muscle primal and uncreated regenerated calm and true elevated in the moving steam distant as my brothers prayers windows moist my brother's breath resting near me consumed by movement of oxygen for the heart and mind sweet hard thorax opens and shines running air to the spirit so deep alacrity stretches with my Father's animals and children lifting and moving until I am that free flying with the dry skin of rose and the bulk of sculpture pressing into and moving the clay of the earth



Concepcion


An ocean of blue black time and we heard... the bang of salty sea hash is combing the air for gulls on the pier we twisted into paper and Pacific kisses dark language falling from your full Spanish lips on my neck and fingers on this island of sombre thin flesh no sienna bloom spreading on my arms and chest no support as musseled pilings in the ocean bedrock crumble but I held your cloth and brushed your hair and I stroked your darkness with a sea comb and that was enough that was sea-green enough to unglaze and release the smoke from your wide and copper soft eyes



Ebola


Walk into the deep hum and loose blue jungle Gaspar Menga a charcoal maker in an extraordinary portrait in his charcoal pit deceased beneath his clustered family died and did those bodies burn? or scorch the skin of fear of nature uncongealed smell the blood and melting latex before the clinico experimento But it's over now perhaps the silence and the stitching is leaving Kikwit quietly the insects hovering over the stinking rodents still flowing across the fields of crosses fields of brown Zaire shrinking beneath the roar of an ancient cargo plane rising like a stain on a slack white sheet

Cover | Vanessa Dwyer | Renay | Submit!